Enter a whole new world of pantomime with a brand-new version of Aladdin celebrating Danny and Clive’s 20th year as the stars of the Theatre Royal panto!
Michael Harrison’s retelling of the legendary story is set in the Royal Kingdom of Pantomania, where a whole host of fairytale characters come together in a pantomime for the 21st century. Wicked witches meet dancing geese, colliding with one very magical flying carpet!
Join your favourite stars as they embark on an adventure to find the magical lamp and see good triumph over evil, as only pantomime can.
Chris Hayward once again dons the Dame’s frocks as Aladdin’s mum, Mother Goose, Joe McElderry returns as The Spirit of the Ring and Mick Potts joins the cast once again, this time as The Genie of the Lamp. Tyneside favourite Wayne Smith returns as Old King Cole, alongside West-End stars Rachel Stanley as The Wicked Witch and Billie-Kay as Princess Jasmine. This is Aladdin as you’ve never seen it before – with a Tyneside twist!
With brand-new sets and costumes designed especially for the Theatre Royal, Aladdin promises to be a Genie-us of a pantomime.
We want to make the experience accessible for all our audiences, thanks to two relaxed performances.
Relaxed performances are perfect for any theatregoer or family who would benefit from a more relaxed environment. These performances allow for noise and movement in the auditorium, re-entry when needed and a special chill-out space for patrons who may need time away during a show.
Many theatregoers find these performances more relaxing and enjoyable for lots of reasons. This would include families with young children, as well as customers with autism, a learning disability, dementia, anxiety or other medical condition which mean sitting or concentrating for long periods of time without moving can be difficult.
Lighting and special effects are slightly altered, with strobe and flashing lights being removed and very loud noises being dulled or omitted, however the content of the show remains the same.
“Many disabled children and particularly those with autism are more sensitive to loud noises, flashing lights and generally too much unexpected stimulation. The pantomime can be an experience they long for but they can be disturbed by sudden sounds. By providing a relaxed performance these children and their families have the opportunity to enjoy the magic of pantomime without the anxiety of the unexpected.” Helen Milner, Chief Executive, Northeast Special Needs Network
“I am absolutely delighted that Newcastle Theatre Royal are taking this step towards making the theatre an experience that can be enjoyed by more and more people including those on the autistic spectrum and those who have communication, learning or sensory needs. Going to a pantomime is an experience that many children and adults look forward to and enjoy during the winter season and this relaxed and supportive session should make it possible for even more to take part.” Angela Slater, Equalities Coordinator at Time To Change
The Theatre Royal is very proud to announce that we are the first UK Theatre to have been honoured with the Autism Access Award by the National Autistic Society.
Michael Harrison’s retelling of the legendary story is set in the Royal Kingdom of Pantomania, where a whole host of fairytale characters come together in a pantomime for the 21st century. Wicked witches meet dancing geese, colliding with one very magical flying carpet!
Join your favourite stars as they embark on an adventure to find the magical lamp and see good triumph over evil, as only pantomime can.
Chris Hayward once again dons the Dame’s frocks as Aladdin’s mum, Mother Goose, Joe McElderry returns as The Spirit of the Ring and Mick Potts joins the cast once again, this time as The Genie of the Lamp. Tyneside favourite Wayne Smith returns as Old King Cole, alongside West-End stars Rachel Stanley as The Wicked Witch and Billie-Kay as Princess Jasmine. This is Aladdin as you’ve never seen it before – with a Tyneside twist!
With brand-new sets and costumes designed especially for the Theatre Royal, Aladdin promises to be a Genie-us of a pantomime.
We want to make the experience accessible for all our audiences, thanks to two relaxed performances.
Relaxed performances are perfect for any theatregoer or family who would benefit from a more relaxed environment. These performances allow for noise and movement in the auditorium, re-entry when needed and a special chill-out space for patrons who may need time away during a show.
Many theatregoers find these performances more relaxing and enjoyable for lots of reasons. This would include families with young children, as well as customers with autism, a learning disability, dementia, anxiety or other medical condition which mean sitting or concentrating for long periods of time without moving can be difficult.
Lighting and special effects are slightly altered, with strobe and flashing lights being removed and very loud noises being dulled or omitted, however the content of the show remains the same.
“Many disabled children and particularly those with autism are more sensitive to loud noises, flashing lights and generally too much unexpected stimulation. The pantomime can be an experience they long for but they can be disturbed by sudden sounds. By providing a relaxed performance these children and their families have the opportunity to enjoy the magic of pantomime without the anxiety of the unexpected.” Helen Milner, Chief Executive, Northeast Special Needs Network
“I am absolutely delighted that Newcastle Theatre Royal are taking this step towards making the theatre an experience that can be enjoyed by more and more people including those on the autistic spectrum and those who have communication, learning or sensory needs. Going to a pantomime is an experience that many children and adults look forward to and enjoy during the winter season and this relaxed and supportive session should make it possible for even more to take part.” Angela Slater, Equalities Coordinator at Time To Change
The Theatre Royal is very proud to announce that we are the first UK Theatre to have been honoured with the Autism Access Award by the National Autistic Society.
