Cavalleria rusticana
Turiddù and Lola were once lovers; but when he left to join the army, Lola married another man.
Although Turridù finds consolation in the arms of Santuzza, his obsessive passion for Lola still burns fiercely. Thus the stage is set for a tale of faithlessness, jealousy and violence, set in a rural community where the church maintains an iron grip on the souls of its people.
A celebrated overnight success in its day, Cavalleria rusticana spearheaded the verismo movement which demonstrated that ordinary people can have opera-sized emotions too.
Mascagni displays a masterly control of pacing, conveying a taut, gritty drama through a succession of gorgeously lyrical melodies. With a score that includes the famous Easter Hymn and Intermezzo, Cavalleria rusticana remains for many the very essence of Italian opera.
Aleko
Rachmaninov’s first opera is a story of emotion run riot.
In the past, Aleko turned his back on the restrictions of conventional society and joined a marginalised community where he fell in love with a young woman, Zemfira.
But her love for him has grown cold and she finds solace in the arms of a young lover. Driven on by the unforgiving code of honour he has inherited, Aleko exacts a bloody vengeance for this betrayal.
Composed when he was just 19 years old, Rachmaninov’s passionate score displays the rich orchestral palette familiar from his piano concertos and symphonies, as well as his unparalleled gift for melody – nowhere more so than in Aleko’s moving Cavatina. Karolina Sofulak’s new production shares the bill with Cavalleria rusticana, and is designed as a companion piece for Mascagni’s equally youthful masterpiece.
Turiddù and Lola were once lovers; but when he left to join the army, Lola married another man.
Although Turridù finds consolation in the arms of Santuzza, his obsessive passion for Lola still burns fiercely. Thus the stage is set for a tale of faithlessness, jealousy and violence, set in a rural community where the church maintains an iron grip on the souls of its people.
A celebrated overnight success in its day, Cavalleria rusticana spearheaded the verismo movement which demonstrated that ordinary people can have opera-sized emotions too.
Mascagni displays a masterly control of pacing, conveying a taut, gritty drama through a succession of gorgeously lyrical melodies. With a score that includes the famous Easter Hymn and Intermezzo, Cavalleria rusticana remains for many the very essence of Italian opera.
Aleko
Rachmaninov’s first opera is a story of emotion run riot.
In the past, Aleko turned his back on the restrictions of conventional society and joined a marginalised community where he fell in love with a young woman, Zemfira.
But her love for him has grown cold and she finds solace in the arms of a young lover. Driven on by the unforgiving code of honour he has inherited, Aleko exacts a bloody vengeance for this betrayal.
Composed when he was just 19 years old, Rachmaninov’s passionate score displays the rich orchestral palette familiar from his piano concertos and symphonies, as well as his unparalleled gift for melody – nowhere more so than in Aleko’s moving Cavatina. Karolina Sofulak’s new production shares the bill with Cavalleria rusticana, and is designed as a companion piece for Mascagni’s equally youthful masterpiece.
